{"id":1747,"date":"2026-05-16T09:00:00","date_gmt":"2026-05-16T09:00:00","guid":{"rendered":"https:\/\/newsmag.live\/2026\/05\/16\/minotaur-andrey-zvyagintsevs-cannes-return-is-shrouded-in-mystery-but-here-is-an-exclusive-clip\/"},"modified":"2026-05-16T09:00:00","modified_gmt":"2026-05-16T09:00:00","slug":"minotaur-andrey-zvyagintsevs-cannes-return-is-shrouded-in-mystery-but-here-is-an-exclusive-clip","status":"publish","type":"post","link":"https:\/\/newsmag.live\/ja\/2026\/05\/16\/minotaur-andrey-zvyagintsevs-cannes-return-is-shrouded-in-mystery-but-here-is-an-exclusive-clip\/","title":{"rendered":"\u2018Minotaur,\u2019 Andrey Zvyagintsev\u2019s Cannes Return, Is Shrouded in Mystery, But Here Is an Exclusive Clip"},"content":{"rendered":"<div>\n<p> \t<a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-features\/andrey-zvyagintsev-cannes-return-minotaur-exclusive-1236596897\/\">Russian writer-director Andrey Zvyagintsev<\/a> (<em><a href=\"https:\/\/www.hollywoodreporter.com\/news\/general-news\/leviathan-cannes-review-706722\/\">Leviathan<\/a><\/em>,\u00a0<em>Elena<\/em>,\u00a0<em>Loveless<\/em>) is back in the <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/cannes-2026-selection-full-list-film-festival-lineup-1236553671\/\">Cannes Film Festival<\/a> competition this year. <em>Loveless<\/em> won the jury prize at the 2017 edition of the festival after <em>Leviathan <\/em>received the 2014 best screenplay award, and <em>Elena<\/em> was honored with the Un Certain Regard special jury prize\u00a0in 2011.<\/p>\n<p> \tSo, of course, the latest movie from the two-time Oscar nominee, his first feature in close to a decade, is highly anticipated.  <\/p>\n<p> \t<em>Minotaur<\/em>, co-written with Semen Liashenko, has been shrouded in mystery, though. What is known about the film is that the now-exiled Zvyagintsev reunited for its creation with longtime collaborators, such as cinematographer Mikhail Krichman and production designer Andrey Ponkratov. The film is a co-production between France, Latvia and Germany. The producers are MK2 Films\u2019 MK Productions, CG Cin\u00e9ma and Zvyagintsev, in association with Leaf Entertainment. The co-producers are Razor Film in Germany and Forma Pro films in Latvia.  \t<\/p>\n<p> \tMK2 Films (<em>Sentimental Value<\/em>) is handling <a href=\"https:\/\/www.hollywoodreporter.com\/t\/international\/\" id=\"auto-tag_international_1\" data-tag=\"international\">international<\/a> sales. Mubi has acquired <em>Minotaur<\/em>\u00a0for North America, the U.K., Ireland, Germany, Austria and Latin America.<\/p>\n<p> \tThe crime thriller is understood to also be a political and moral fable, as the title, which is a nod to Greek mythology, hints at. The minotaur was\u00a0a monster, half man and half bull, that was imprisoned in a dark underground labyrinth.<\/p>\n<div>\n<p> \tThe Cannes website only reveals the following about <em>Minotaur<\/em>: \u201cRussia, 2022. When Gleb, a successful company director, finds himself under siege from mounting corporate pressures and an increasingly unstable world, the collapse of his carefully ordered life accelerates toward violence.\u201d<\/p>\n<p>Dmitriy Mazurov stars as Gleb opposite Iris Lebedeva as Galina. An exclusive clip from <em>Minotaur<\/em> that <em>THR<\/em> can now premiere takes us to their breakfast table. Does the sneak peek give you the sense that there is a certain awkwardness in the air? Could there be trouble brewing because of secrets that we, and Gleb, may not be privy to? Maybe it\u2019s just us, but it feels like there is stuff that is left unsaid \u2013\u00a0even if not left untexted?   \t<\/p>\n<\/div>\n<p> \tBut make up your own mind! Watch the exclusive clip from <a href=\"https:\/\/www.hollywoodreporter.com\/t\/andrey-zvyagintsev\/\" id=\"auto-tag_andrey-zvyagintsev_1\" data-tag=\"andrey-zvyagintsev\">Andrey Zvyagintsev<\/a>\u2018s <em>Minotaur<\/em> below.<\/p>\n<figure>\n<p> <iframe loading=\"lazy\" title=\"Minotaur - Andrey Zvyagintsev\" width=\"500\" height=\"281\" data-cookieconsent=\"statistics, marketing\" data-src=\"https:\/\/www.youtube.com\/embed\/xXJYasEPpMk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\">Please accept <a href=\"javascript:Cookiebot.renew()\">statistics, marketing<\/a> cookies to watch this video.<\/div> <\/p>\n<\/figure><\/div>","protected":false},"excerpt":{"rendered":"<p>Russian writer-director Andrey Zvyagintsev (Leviathan,\u00a0Elena,\u00a0Loveless) is back in the Cannes Film Festival competition this year. Loveless won the jury prize at the 2017 edition of the festival after Leviathan received the 2014 best screenplay award, and Elena was honored with the Un Certain Regard special jury prize\u00a0in 2011. So, of course, the latest movie from the two-time Oscar nominee, his first feature in close to a decade, is highly anticipated. Minotaur, co-written with Semen Liashenko, has been shrouded in mystery, though. What is known about the film is that the now-exiled Zvyagintsev reunited for its creation with longtime collaborators, such as cinematographer Mikhail Krichman and production designer Andrey Ponkratov. The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1748,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1114,307,2,116,27,60],"tags":[],"class_list":["post-1747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-andrey-zvyagintsev","category-cannes-2026","category-hollywood","category-international","category-movie-news","category-movies"],"_links":{"self":[{"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/posts\/1747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/comments?post=1747"}],"version-history":[{"count":0,"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/posts\/1747\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/media\/1748"}],"wp:attachment":[{"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/media?parent=1747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/categories?post=1747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsmag.live\/ja\/wp-json\/wp\/v2\/tags?post=1747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}